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Joan Mary Waller Greenwood (4 March 1921 – 28 February 1987) was an English actress. Her husky voice, coupled with her slow, precise elocution, was her trademark. She played Sibella in the 1949 film Kind Hearts and Coronets, and also appeared in The Man in the White Suit, Young Wives' Tale (both 1951), The Importance of Being Earnest (1952), Stage Struck (1958), Tom Jones (1963) and Little Dorrit (1987).
Greenwood worked mainly on the stage, where she had a long career, appearing with Donald Wolfit's theatre company in the years following the Second World War. Her appearances in Ealing comedies are among her memorable screen roles: in Whisky Galore! (1949); as the seductive Sibella in the black comedy Kind Hearts and Coronets (1949); and in The Man in the White Suit (1951). She opened The Grass Is Greener in the West End in 1952, and played Gwendolen in a film version of The Importance of Being Earnest released in the same year.
She had leading roles in Stage Struck (1958) and then in Mysterious Island (1961), an adaptation of a Jules Verne novel; and was nominated for the Golden Globe for Best Supporting Actress for Tom Jones (1963).
In 1960, Greenwood appeared as the titular character in a production of Hedda Gabler at the Oxford Playhouse. Starring opposite her as Judge Brack was the actor André Morell. They fell in love and flew in secret to Jamaica, where they were married; they remained together until his death in 1978.
She joined the Oxford Playhouse Repertory Company, and whilst there played leading parts in a number of well-known plays, such as School for Scandal, Caesar and Cleopatra, Hamlet and A Doll's House. She went back to the London stage and appeared in productions of Little Ladyship, Peter Pan, Heartbreak House, and The Women. While appearing in the latter she was seen by Leslie Howard who cast her in a notable role in The Gentle Sex (1943), which was a hit.
Greenwood had a supporting part in Frenzy (1945) and They Knew Mr. Knight (1946).
She appeared in the role of Wendy in Peter Pan and as Elie Dunn in Heartbreak House. She played Ophelia in Hamlet with the Donald Wolfit company, Nora in A Doll's House, Celia in Volpone and Sabina in The Young Wives' Tale.
She had a good role in The Man Within, billed after Michael Redgrave and Jean Kent, then co-starred alongside John Mills in The October Man and with Margaret Lockwood in The White Unicorn (all 1947).
More successful was Whisky Galore! (1949), which kicked off the Ealing comedy cycle. It was directed by Alexander Mackendrick, and Greenwood was top-billed along with Basil Radford. She did another for Ealing, Kind Hearts and Coronets (1949), with Dennis Price and Alec Guinness, directed by Robert Hamer. Both films became regarded as comedy classics.
Greenwood was Richard Todd's leading lady in Flesh and Blood (1951), at British Lion. She went to France to co-star with Bourvil in Mr. Peek-a-Boo (1951). She did another for Ealing with Mackendrick and Guinness, The Man in the White Suit, then Young Wives' Tale (both 1951) and did The Importance of Being Earnest (1952) again, this time as a feature film. She appeared on TV shows such as BBC Sunday-Night Theatre.
Greenwood then appeared in Lovers, Happy Lovers! (1954), a French film shot at the Elstree Studios of Associated British and on location across London, with Gérard Philipe. She did The King and Mrs. Candle for American TV, and made her third film with Guinness and second with Hamer, Father Brown (both 1954). She did A Doll's House in Copenhagen, then was in The Confidential Clerk by T.S. Eliot which had a short run on Broadway in 1954.
In Hollywood, she was the female lead in Moonfleet (1955) at MGM, replacing original choice Merle Oberon.Joan Greenwood Pauses for a Moment: Hollywood Letter By Richard Dyer MacCann. The Christian Science Monitor, 23 November 1954: p. 11.
Greenwood had a flashy support role in Tom Jones (1963), and The Moon-Spinners (1964). She appeared as Olga, alongside Spike Milligan in Frank Dunlop's production of the play Oblomov, based on Oblomov by Russian writer Ivan Goncharov. The play opened at London's Lyric Theatre on 6 October 1964. Greenwood was described as "a model of generosity and tolerance...the only person in the cast who could not be 'corpsed' by Milligan; although he tried very hard. She looked beautiful, and played the part of Oblomov's unfortunate lady with total integrity. 'She never left the script', says Milligan with a guilty smile of something between irritation and admiration. 'I just couldn't make her crack up. All the rest of us did. She never lost her dignity for a moment.'" pp. 215–216.
She was in the play Those That Play the Clowns (1966) which had a short run on Broadway. Greenwood dubbed the voice of The Black Queen in Barbarella (1968) when the voice of actress Anita Pallenberg was judged unsuitable for the role. She was in The Great Inimitable Mr. Dickens (1970) and Girl Stroke Boy (1971).
Later roles included The Uncanny (1977), The Water Babies (1978), The Hound of the Baskervilles (1978), Bognor (1981), Triangle (1982), and Ellis Island (1985).
She took over from Dame Celia Johnson on stage in The Understanding (1982) after Johnson's death."Joan Greenwood for 'Understanding'", The Guardian, 30 April 1982: p. 4.
She played Lady Carlton, a quirky romance novelist and the landlady to the main characters, in the British sitcom Girls on Top (1985–86). She was in (1987). Her last film was Little Dorrit (1988), released posthumously. Her last TV series was Melba (1988).
She appeared on stage in a sketch with Robert Morley two weeks before her death.JOAN GREENWOOD, 65, ACTRESS: Obituary The New York Times, Late Edition (East Coast); New York, 3 March 1987: p. D27.
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